- Level
- Mixed
- Basic and Premium Members Prices
- Premium Members $30 & Basic Members $40
**Register by February 22nd and save $5, use code SERIESDANIELS2021 at checkout!**
- Category
- Characters
- Description/Setting
- Structure
- GMC
- Plotting
- Series
- $5 off Early Registration Coupon-expires 1 week before class starts
- SERIESDANIELS2021
Today there are probably far more titles in ALL the popular fiction genres that fall under the umbrella of being part of a series than there are those that are standalone titles. A series, after all, can suck readers into your fictional world and keep them coming back for more and more and more.
But writing a series has more elements than a standalone story does. A series requires more world building for a town or city, the community, the “staff” that returns in book after book. It requires a story arc that spans the series, tying elements together…like an as yet unsolved crime that has further clues (and red-herrings) surfacing while the characters solve the standalone mystery of each title under that story arc. Same thing with overcoming a tyrant government (Hunger Games), political upheaval (Game of Thrones), solving crime (series galore in many mystery niches), or finding love (any of the many Billionaire romances, for example).
When I decided to turn to mystery and leave romantic comedy behind – not comedy, just the romantic emphasis – it was to find I was faced with an entirely new learning curve. With a set-up that, while familiar, was foreign to the way I worked. A Pantser needing to deal with a series story arc? Impossible, I thought.
Turns out, it isn’t impossible. I could balance being both a Pantser and a partial plotter. If you’re like me, you can, too. If you’re already a plotter, well, juggling two plots in each story – one of which can’t be solved for awhile yet – can still get tricky.
That’s what this workshop is all about though. We’ll put out casting calls for main and non-main characters, for characters who return regularly in book after book. We’ll dream up what is needed for the story arc…and how it doesn’t have to be cast in concrete. We’ll create the world, the town, the cast and crew that keeps things moving from one title to the next. We’ll talk backstory and a heck of a lot more!
Been casting about in the rough seas of series creation? Then it’s time to drop anchor, set up the yurt, dock at the space port or step up to the bar (or tea shop or latte counter)…and get yourself on the yellow brick road to building the groundwork for writing your first series.
But writing a series has more elements than a standalone story does. A series requires more world building for a town or city, the community, the “staff” that returns in book after book. It requires a story arc that spans the series, tying elements together…like an as yet unsolved crime that has further clues (and red-herrings) surfacing while the characters solve the standalone mystery of each title under that story arc. Same thing with overcoming a tyrant government (Hunger Games), political upheaval (Game of Thrones), solving crime (series galore in many mystery niches), or finding love (any of the many Billionaire romances, for example).
When I decided to turn to mystery and leave romantic comedy behind – not comedy, just the romantic emphasis – it was to find I was faced with an entirely new learning curve. With a set-up that, while familiar, was foreign to the way I worked. A Pantser needing to deal with a series story arc? Impossible, I thought.
Turns out, it isn’t impossible. I could balance being both a Pantser and a partial plotter. If you’re like me, you can, too. If you’re already a plotter, well, juggling two plots in each story – one of which can’t be solved for awhile yet – can still get tricky.
That’s what this workshop is all about though. We’ll put out casting calls for main and non-main characters, for characters who return regularly in book after book. We’ll dream up what is needed for the story arc…and how it doesn’t have to be cast in concrete. We’ll create the world, the town, the cast and crew that keeps things moving from one title to the next. We’ll talk backstory and a heck of a lot more!
Been casting about in the rough seas of series creation? Then it’s time to drop anchor, set up the yurt, dock at the space port or step up to the bar (or tea shop or latte counter)…and get yourself on the yellow brick road to building the groundwork for writing your first series.
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Dahlia DeWinters
