SavvyAuthors' Accountability Group

Struggling to stay on track with your writing goals? SavvyAuthors' Accountability Group is a supportive group designed to help writers stay consistent, overcome procrastination, and make real progress on their projects.

We will focus on:
  • Goal Setting & Check-Ins: Set writing goals and track your progress.
  • Weekly Accountability Check-ins: Share wins, challenges, and next steps.
  • Encouragement & Support: Connect with like-minded writers to stay motivated.

Whether you’re drafting a novel, editing a manuscript, or just trying to write more regularly, this group will keep you accountable and inspired. Join us and turn your writing dreams into reality!

WINTER SESSION: Mentoring and Coaching with Editorial Director and Author June Diehl

Are you seeking a coach and mentor who listens? Doesn't squash your writing style? And who provides positive, constructive feedback to meet your goals?

As a certified coach with a background in education and over a decade of working with writers, my goal is to offer you an individualized mentoring/coaching program to help guide you through the writing and publishing process. No part of your writing process is too small or too large for us to tackle together.

We will work as a team on the writing goals that you wish to accomplish during the three-month program.

I am as comfortable working with new writers as with those who have multiple publishing credits. I also read and write across multiple genres and have worked with writers who write fantasy, science fiction, mystery, historical fiction, horror, romance, etc.

The direction of the mentoring and coaching is founded on the goals you wish to accomplish. I am flexible, if the needs arises, in changing the mentoring and coaching to suit your needs and wants. You should come willing and able to work on your writing and be prepared for honest feedback.

Your personalized mentoring/coaching program can include, but is not limited to:
  • Unlimited access via email for brainstorming, coaching, specific questions and regular check-ins,
  • Regular private online chats in the Savvy Authors chatroom, by phone or Skype (schedule and time to be mutually agreed on). NOTE: Most are weekly and from 30-60 minutes.
  • Reviews of your notes, outline and draft or revised manuscript with feedback targeted to take you to the next step with your story, tailored to your current goals,
  • A writing schedule to complete your draft or edits with prompts to remind you of deadlines and regular check-ins to help keep you on track,
  • Mini-lessons, articles, resources and recommended reading as appropriate,
  • Includes coaching on the pitch and the synopsis,
  • Discuss and brainstorm path options for your writing career.
This program is not a workshop or class but those elements may be present at the discretion of the mentor based on the needs of the students. Students should be prepared to engage in regular discussion with the mentor in order to get the best out of this experience.

Enrollment is limited to five (5) students so I can give the attention needed to each writer.

Create a Scene with Joan Koster

Stories and novels are built from scenes. A scene is a contained segment of your story in which the characters engage in actions related to the story goal. Scenes have beginnings, middles, and ends, and rising and failing emotional arcs.

In this workshop, we will explore the many different kinds of scenes, analyze their structure, and discover ways to increase emotional tension, character conflict, and flow.

Let's Commit a Crime: Backstory for Murderous or Larcenous Mysteries with Beth Daniels

As any successful character knows, when planning to commit murder or heist something, be it jewels, bearer bonds, secret documents or lift a pet or person (not like weightlifting but as in kidnapping), you need to what needs to be done. Particularly if the ideal result is not only escaping scot-free but set up a patsy to take the heat.

That’s what this workshop focus on – both having a plan reduced to the steps it takes to pull it off, why it’s necessary to do (though if the character is a spy, they were ordered to do so), the getaway, and prior to the execution of the plan (the pulling it off), why your main character or professional thief or professional or amateur murderer is doing it. Whether it’s the ghost hovering over it body wondering, “what did I do to deserve this?” or the thief discovering there’s too much heat on what they’ve made off with to unload it immediately, there is a backstory that led to this moment.

Does it need to play out on the page? Sometimes. But if it doesn’t, the backstory serves as the reason there’s a body or an open and empty safe. And the sleuth, be they professional or amateur, will need to unearth what led to this crime. The why, the how, the where, the when and have it all shrouded in red herrings and misdirections that aren’t obvious for most of the story.

And they all lie in that specific backstory that led to the plan that led to pulling the job off.

Join me for four weeks of finding characters who might have done it but might not have done it, and why they could have but didn’t do it. It’s the planning that helps the miscreant do the job, but also why they needed to do it (to their mind), and the elements the sleuth will uncover that leads to an arrest . . . unless they don’t because the perpetrator needs to go free. Particularly if they are a spy and it’s just part of the job.

This is more about the perp’s reasons and plans than the sleuth, even if the sleuth is the main character. You need to the why and the how that leads to the 9-1-1 call, or covering up the crime, to sending the investigating forces off in the wrong direction.

Sound like fun? Then be at the virtual workshop door when it swings open!

The Trail of Breadcrumbs: Foreshadowing Your Story Cynthia Owens

Do you want to keep your reader guessing, wondering what will happen next, and keep them
turning the pages? You can do it, with a little help from the trail of breadcrumbs known as
foreshadowing.

The Trail of Breadcrumbs: Foreshadowing Your Story, is a four-week workshop that helps
authors carefully drop hints into their stories that will make your readers say, “Of course! Why
didn’t I notice that coming?”

The workshop will cover:
  • Lesson One – What is Foreshadowing?
  • Lesson Two – Foreshadowing Tools
  • Lesson Three –Direct Foreshadowing
  • Lesson Four – Indirect Foreshadowing
  • Lesson Five – Event Foreshadowing
  • Lesson Six – Purposeful Foreshadowing
  • Lesson Seven – Prologues
  • Lesson Eight – Chekhov’s Gun.

Using Video with Your Fiction Writing Journey with June Diehl

Using Video with Your Fiction Writing Journey is a hands-on workshop designed to help fiction
writers harness the power of video to build their author brand, connect with readers, and bring
their stories to life. With the rise of social media, book trailers, and AI-powered tools, video has
become one of the most effective ways for authors to showcase their creativity and reach a wider
audience.

This workshop will introduce you to simple, accessible video tools (including AI-based
platforms) and guide you through practical projects that translate your words into compelling
visuals. By the end, you’ll not only understand how to create professional-looking video content,
but you’ll also walk away with a collection of video assets ready to use in your writing career.

Brilliant Openings: How to Grab an Editor or Agent on Page One with Anoop Judge

You might not have a bad story — you might just have a weak beginning.

This five-week intensive focuses on the most decisive real estate in fiction: the first page.
Readers, agents, and editors make a call within a few paragraphs, long before a story has the
chance to prove itself. Through close reading of opening pages by Meg Wolitzer, Jhumpa Lahiri,
Lorrie Moore and others, we will examine how writers create voice, stakes, orientation, and
narrative pull immediately — and then apply those methods to your own openings through
guided exercises and workshop critique.

By the end of the course, you will have rebuilt your opening so that it does what a first page must
do: compel the reader to turn the next one.

Unlock the Power of Action and Reaction (Understanding Scene and Sequel) with Hillary DePiano

Beginner writers all suffer the same challenges: passive characters, uneven pacing, meandering plot and the dreaded “Happy People in Happyland.” Readers crave active protagonists, characters who chase their goals and drive the story forward with the choices they make in the face of adversity. Non-stop action can be just as boring as a story where nothing happens. Finding that balance between action and reaction is the key to writing a character driven story that’s full of delicious page turning tension.

In this workshop, we’ll delve into scene structure and how understanding the cause-and-effect trajectory of your character’s journey not only strengthens your novel’s conflict and internal story logic, but also means richer, more three-dimensional characters. Whether you’re a discovery writer letting your characters take the reins or hardcore plotter writing to narrative goalposts, you’ll find that understanding scene structure can be a key part of your prep process, the secret to better flashlight drafting, a gut check to guide your revision, or a tool for diagnosing story issues and beating writer’s block.

Tropes, And How To Use Them with Kate McMurray

Some think that tropes are formulaic elements or cliches, but actually, tropes are the building blocks of a story, and a better knowledge of them can help you construct a more compelling story and market your book to the readers who most want to read it.

In this workshop, we will:
  • Define tropes.
  • Identify and discuss some common tropes.
  • Explore how to use tropes to build a story.
  • Use tropes to develop a marketing plan.

What Fan Fiction Gets Right and What We Can Learn from It with Tere Michaels

Many writers in publishing have made their way from the world of fan fiction, either as readers or writers. What does fan fiction get right – why does it hold so much attention and what can writers learn from its creation, its tropes, its emotional power and its passion?

We will take a journey through the differences between fan fic and “published” works, the differences between tropes here and tropes there, and also what the secret ingredient is that can make your writing pop directly into the hearts and minds of readers.

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