gmc

  1. CassandraCarr

    Plot-Structure-GMC Keep Your Plot Tight with Cassandra Carr

    Every writer, but especially beginning writers, have trouble keeping their plots moving. We've all heard about the "sagging middle" and other gotchas authors run into, but how do you avoid these pitfalls? In this workshop you'll learn tried and true techniques for making sure your reader...
  2. Romy Sommer

    Character Craft a Strong Character Arc with Romy Sommer

    A strong character arc is the key to getting readers emotionally invested in our stories. In this workshop we'll learn how to craft character arcs that will create a transformative experience not just for our characters, but for readers too.
  3. Deborah Bailey

    Plot-Structure-GMC Building Blocks for GMC with Deb Bailey

    Goal, Motivation and Conflict are building blocks for storytelling. This workshop will break down GMC as it applies to the internal, the external and romantic goals, motivations and conflicts for your story. Starting with internal goals, then adding external goals for your main characters to...
  4. Amdenisch

    Plot-Structure-GMC The Perfect Plot Twist with Anna Denisch

    As R.L. Stein once said, “Every story ever told can be broken down into three parts: the beginning, the middle, and the twist.” But crafting a good plot twist is certainly easier said than done. In this workshop, you’ll come to understand the inner workings of a plot twist, what makes them so...
  5. A

    Character Sympathy without Saintliness with Alicia Rasley

    It's a real conundrum. We want our characters to be "sympathetic"-- someone the reader cares about and roots for. But paradoxically, sometimes the more we TRY to make them good and admirable, the more saintly they become, the less the reader likes them. It might be envy, or resentment, or an...
  6. pjune-yahoo.com

    Genre-YA Writing the YA Paranormal with June Diehl

    What makes YA paranormal different than adult paranormal? What makes YA different than other fiction? What do YA readers expect from your story? We’ll explore the differences from your story idea, story opening, middle, and end. In this workshop, we’ll discover how character, plots, and setting...
  7. TereMichaels

    Character Ripping Hearts and Engaging Minds: Writing Angst Effectively with Tere Michaels

    Some people are angst junkies. They like their stories chock full of heart-ripping drama and trauma. Others like their angst just a delicate sprinkling on their story, nothing too intense. What do these two extremes have in common? Angst (at whatever level) only works when it fits your...
  8. A

    Character Being, Doing, Becoming – The Heroic Flaw and The Heroic Journey with Alicia Rasley

    Fiction, like nature, is all about change. So in a story, heroism requires more than being perfectly heroic, and even more than committing heroic acts. It also requires the ability to change under pressure, to grow into someone better even if it hurts. In the same way, creating a heroic...
  9. Beth Daniels

    Plot-Structure-GMC The Postproduction Outline with Beth Daniels

    If you, like me, are a Pantser with a touch of Plantser in your system, you’ve found there is a point when you aren’t sure what has happened that needs to be fleshed out and then wrapped up at the close of a story. Sometimes it’s a small thing, but sometimes it’s much larger. Particularly if...
  10. TereMichaels

    Character The Emotional Arc with Tere Michaels

    An emotional arc is the journey that a character’s emotional state of mind undertakes during a scene. A typical emotional arc has a beginning in which the character is feeling a certain way, an end in which their emotional state of mind has undergone a change, and a turning point that triggers...
  11. Deborah Bailey

    Character Using Your Characters' Emotional Wounds for Character Development with Deb Bailey

    Develop your characters and create backstory using emotional wounds and inner conflicts. What motivates your character? What are the traumas that might be inspiring them to take certain actions? How to determine what wounds make sense for your characters and your story Raise the stakes in your...
  12. amd

    Editing Fix it before you write it! with Jodi Henley

    Developmental edits are the first edit writers skip, but the first thing mentioned in reviews. If your story feels weak, your opening isn’t strong enough to hook readers, your plot goes haywire or your characters feel like cardboard—you need a dev edit. Join developmental editor Jodi Henley as...
  13. VampWereZombie

    Genre-Romance Plotting a Romance with Rebekah Ganiere

    Did you know that fifty percent of all books bought every year are in the Romance Genre? There’s a reason Romance is so popular not just with women but with men as well. Have you ever wanted to write a romance? Or maybe you just want to add a love interest to the book you’ve already got going...
  14. pjune-yahoo.com

    Plot-Structure-GMC Master Workshop in Story Planning with June Diehl

    If you plan before you begin your draft or plan during the drafting part of your writing process, we’ll cover many of the techniques that you can use to help make your drafting go smoother. If you current do no or little planning before or during the writing of the story draft, we’ll explore...
  15. Amdenisch

    Worldbuilding-Setting Comprehensive Worldbuilding - The Whole World View with Anna Denisch

    Throughout this 3-week workshop, writers will learn the ins and outs of worldbuilding and how to properly integrate information into their story. Week one will focus on macro-worldbuilding: how the world is shaped, what political powers are in play, and how religion and technology appear in the...
  16. Kate McMurray

    Craft Breaking Down Scenes with Kate McMurray

    What is the function of a scene in a story? It can have many, but it must do something to drive the story forward. In this workshop, we’ll talk about how to write tighter scenes and ensure that each one is serving your larger story. We’ll look at different kinds of scenes, such as action scenes...
  17. CassandraCarr

    Plot-Structure-GMC The Writer's Secret Weapon: Strong GMC with Cassandra Carr

    Many writers understand GMC (goal, motivation, conflict) well enough, but still don't use them to their greatest advantage to improve their stories. In this course we'll talk about each aspect of GMC and how to maximize them, then how to make sure they work together. Lesson One: Quick primer...
  18. Beth Daniels

    Plot-Structure-GMC Plot Math for Plotters, Pantsers and Plantsers with Beth Daniels

    You’ve no doubt heard of many different ways of plotting a piece of genre fiction. Things like outlines, beat sheets, three act play, and who knows what else. But have you ever considered math as a guideline? Dexterity in mathematics is not a requirement, you’ll no doubt be relieved to know...
  19. TereMichaels

    Plot-Structure-GMC Gut Punch: Using Emotional Conflict as Plot with Tere Michaels

    When we start writing, we have an idea of how our readers will react to our stories. Do we want them to laugh? Cry? Gasp? Compose angry letters in their heads because how dare we? And what is the key to making that happen in the story? We create our characters and their internal journeys with...
  20. pjune-yahoo.com

    Craft Writing Subtext with June Diehl

    What is subtext and why is it important to fiction? How does something that lingers beneath the surface of a story have such a profound impact on the reader? Discover how you can deepen your fiction and add complexity to your story and characters. Subtext creates experiences that connect to your...