Lots of writers have heard of the Hero's Journey, which is based on the work of Joseph Campbell. But there's also a Heroine's Journey, which is based on the story of the Sumerian goddess, Inanna, an epic that describes her descent into the underworld.
The heroine’s journey is not so much about...
The book world offers its readers a variety of mysteries. Some are good, some not so good, and some are excellent. What makes the difference? It all begins with its foundation: learning how to craft a successful mystery. An award winning mystery/thriller author will show you how a successful...
Once you have written your first draft, you know you are not done. You understand that you need to fix everything from plot holes to punctuation. The starting point is Macro-Editing - Editing the Big Picture. Many spend $1000s on Book Doctors, Finishers, and Developmental Editors to do this work...
Once you’ve got the bare bones of your story, it’s time for layering. But what kind of elements can be layered? And which ones MUST be, if you’re trying to write a keeper.
Find out…
How building a book is like building a house. You can’t stop at the foundation.
What about the B storyline? How...
Goal, Motivation and Conflict are building blocks for storytelling. This workshop will break down GMC as it applies to the internal, the external and romantic goals, motivations and conflicts for your story.
Starting with internal goals, then adding external goals for your main characters to...
Whether a beginner or more seasoned, this class will teach the author to think about ways to add or enhance conflict in their stories. Primarily, conflict is a work of looking at a characters GMC--both internal and external--but this class will also explore additional strategies such as adding...
If you love reading, watching and/or writing murder mysteries, you’ve probably heard the term “Murder Book” somewhere along the way. It’s an American term for what equates to a single case file that has many different elements in play.
Considering the police solve crimes by using a Murder Book...
Do you have to know the solution to the mystery before you start writing your amazing new murder mystery? The ‘who’ in whodunit? The how? The why? Not necessarily! In this course, we will explore how to craft a compelling, taut mystery from start to finish that will keep readers guessing without...
If you, like me, are a Pantser with a touch of Plantser in your system, you’ve found there is a point when you aren’t sure what has happened that needs to be fleshed out and then wrapped up at the close of a story.
Sometimes it’s a small thing, but sometimes it’s much larger. Particularly if...
The Winter Holidays! They tend to have you running around like a chicken with its head cut off (and if you haven’t been on a farm where this occurs, suffice to say, it’s weird that they do that). There’s never enough time to get things done…or so it seems.
But it’s the perfect time of year to...
From well-worn fairytales to far flung fantasy, the tradition of drawing from beloved stories to create new and striking iterations has a long history. At the core of this story obsession are familiar tropes and relationship dynamics that keep us coming back to similar stories time and again...
Developmental edits are the first edit writers skip, but the first thing mentioned in reviews. If your story feels weak, your opening isn’t strong enough to hook readers, your plot goes haywire or your characters feel like cardboard—you need a dev edit. Join developmental editor Jodi Henley as...
Conflict is the reason stories happen. Conflict is keeping a romance from blossoming, a hero from reaching his goal, a villain trying to stop a hero, or even a killer from being stopped.
Nine times out of ten a book falls flat because the conflict is non-existent and in this one-week course...
Great is the art of beginning, but greater is the art of ending. ~ Henry Wadsworth Longfellow
What best sells your next book? The ending of your previous book! A satisfying ending ties together all the pieces of your novel - the character arcs, the relationship arcs, the plot, the carefully...
This class focuses specifically on the middle of your story, the bulk of the action that takes place after the set-up and builds up until you reach your “disembarking point” and the book’s ending.
How do you crank up conflict and emotion without writing yourself into a corner?
How do you...
The Getting Your Manuscript Ready series is a comprehensive look at all the moving parts that make your manuscript the best it can be.
We'll break down Beginnings, Middles, and Ends, discuss their unique challenges - and how to fix them! - as you create a book that flows from start to finish...
Many writers understand GMC (goal, motivation, conflict) well enough, but still don't use them to their greatest advantage to improve their stories.
In this course we'll talk about each aspect of GMC and how to maximize them, then how to make sure they work together.
Lesson One: Quick primer...
You’ve no doubt heard of many different ways of plotting a piece of genre fiction. Things like outlines, beat sheets, three act play, and who knows what else. But have you ever considered math as a guideline?
Dexterity in mathematics is not a requirement, you’ll no doubt be relieved to know...
When we start writing, we have an idea of how our readers will react to our stories. Do we want them to laugh? Cry? Gasp? Compose angry letters in their heads because how dare we? And what is the key to making that happen in the story? We create our characters and their internal journeys with...
The first draft of a novel needs consistency and continuity: the more the better the novel will be. Mind-maps offer a way to gain that consistency.
What if you knew how to create mind-maps to ensure that consistency? And that continuity?
What if you had a way to make sure your characters...
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